Hyoryesu: Girls' Generation members debut as new group
Girls' Generation stars Hyoyeon, Kwon Yuri, and Choi Sooyoung launch Hyoryesu, embracing a playful 6th-generation idol concept.
“Girls' Generation is a rookie group again?”

Hyoyeon, Kwon Yuri, and Choi Sooyoung have launched a new idol narrative under the name 'Hyoryesu.' Approaching their 20th anniversary since debut, the members took the stage with a concept reminiscent of 6th-generation idols, delivering unexpected joy to fans.
On the 5th, Hyoyeon shared several photos on her SNS with the caption, “Hyoryesu's first debut.” The photos captured Hyoyeon, Kwon Yuri, and Choi Sooyoung posing ahead of their appearance on MBC's 'Show! Music Core.'
The three members achieved a sense of unity by wearing coordinated white tops and pants while still highlighting their individual personalities. By striking poses reminiscent of rookie girl groups—such as folding their hands neatly or making dreamy expressions—they created an atmosphere distinct from their existing 'Girls' Generation' image.
More playful moments were also captured off-stage. After finishing their performance, a photo of them laughing brightly with bottle caps placed over their eyes contrasted their glamorous idol stage presence with their playful daily lives, revealing Hyoryesu's unique, humorous concept. The fact that members who have been top-tier girl group stars for a long time are humbling themselves and enjoying themselves like 'rookies' serves as a major charm of this project.
On this day, Hyoryesu performed 'Lowkey In Love,' a B-side from their first digital single, and the title track 'Skibidi' for the first time on 'Show! Music Core.' By performing music that had only been heard through music releases on a live broadcast stage, it served as a debut stage that fully introduced Hyoryesu's identity.
Released on August 31, 'Skibidi' is a track that starts with a house base and transitions into hip-hop, combining a multi-layered composition with the message, 'Let's create our own new path.' It is being evaluated as having built Hyoryesu's unique individuality through genre variations and humorous performances, rather than simply following the idol grammar of a specific generation. The fact that it ranked number one on the YouTube Trending Music chart in Korea immediately after release further demonstrates this buzz.

In particular, the most interesting aspect of Hyoryesu is the members' backgrounds. Hyoyeon, Kwon Yuri, and Choi Sooyoung are core members who debuted as Girls' Generation in 2007 and expanded the industrial status of K-pop girl groups. Starting with 'Into the New World' and moving through numerous hits such as 'Gee,' 'Make a Wish,' 'Oh!', and 'The Boys,' they have set the standard for girl groups in the domestic and international popular music markets.
Therefore, their 'debut' carries a different meaning from the start of a typical rookie group. Since these are artists who have already secured sufficient career experience and recognition, starting again with a new team name and musical format is akin to a form of self-parody and a cultural experiment that breaks generational boundaries.
Recently in the K-pop industry, projects where existing artists reconstruct their own images and genre identities, rather than repeating past success formulas, are gaining attention. Hyoryesu is also being read as an example of how the 'current Hyoyeon, Kwon Yuri, and Choi Sooyoung' can enjoy the idol genre again, rather than simply leaning on the massive legacy of Girls' Generation.
Specifically, the concept that seems to advocate for being '6th-generation fairies' paradoxically shows that generational distinctions are not absolute. What is more important than an idol's age or years since debut is how many new characters and narratives they can create on stage. This is why Hyoryesu's debut is garnering attention beyond being a simple event.
The sight of these three, who have already experienced an era under the name Girls' Generation, stepping onto the stage again with the attitude of rookies, presents a different perspective on the generational shift in K-pop. Their move is quite unusual in that they did not stop at recreating past glory, but instead playfully twisted their own past to challenge a new stage.
Ultimately, Hyoryesu's first stage is closer to the question of 'how long can they create a new version of themselves on stage' rather than 'which generation of idols are they.' What Hyoyeon, Kwon Yuri, and Choi Sooyoung showed was not just the freshness of rookies, but the composure, self-deprecation, and confidence that only artists with long careers can possess, proving they can still enjoy the idol genre.
